When you hear the name James Cameron, you don’t think small. You think big movies — in every possible sense. Huge budgets. Long runtimes. Years of silence between releases. Movies that don’t just arrive in theaters but take over them. Cameron has never operated like a normal filmmaker, and audiences have never treated him like…
Somewhere along the way, audiences stopped believing in the kind of heroes who always said the right thing, always chose the noble path, always carried their pain neatly behind a square jaw and a righteous monologue. The old archetype didn’t disappear — it just stopped feeling honest. Stories changed. People changed. And the characters we…
Every once in a while, a character appears on screen who doesn’t just entertain us — they stay with us. Not because they’re loud, or clever, or drenched in cinematic spectacle, but because something about them lingers. A look. A wound. A choice that felt painfully human. You finish the movie or the show, and…
When Martin Scorsese praises a film, the industry listens. Not because he’s some mythical figure floating above Hollywood, but because he almost never attaches himself to something casually. He’s careful. Specific. He knows his influence carries weight. So when he openly admired Neeraj Ghaywan’s Homebound — calling it a film he “lived with” for years…
Why Florence Pugh’s remark about intimacy coordinators exposes a deeper problem the industry doesn’t want to admit. Hollywood loves symbols. A new job title, a fresh policy, a rewritten code of conduct — anything that lets the industry say, “See? We’ve changed.” For years, intimacy coordinators were often viewed as the last resort.The safeguard Hollywood…